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Variations Concertantes (Concert Variations?) for Pianoforte and Violin on
a theme by Krumpholz ([1]) Op. 2, Brilliant
Rondeau on Cavatine de Carafa a quarre mains Op. 3, Brilliant
Fantasy and Variations on "Romance of Blangini" with Accompanied two
Violas, Alto, and Violincello (Double Bass ad lib.) Op. 4, Le
Souvenir, Variations Op. 5, Grand
Rondeau No. 1, in C Op. 6, Waltz or
Exercises Op. 7, Sonata
No. 1 in A♭(published by Artaria) (1810) [1] Op. 8,
Amicitiae, Andantino with Variations Op. 9, Brilliant
Variations and easy (Theme favorite) Op. 10,
Brilliant Grand Sonata in C minor, for four hands Op. 11,
Brilliant Divertissement, for four hands Op. 12,
Variations (Trauer-Walzer D. 365 No . 2 by F. Schubert) Solo and Duet
Op. 13, Sonata
No. 2 in A minor (published by Diabelli) Op. 14,
Brilliant Variations on an Austrian Waltz Op. 15,
Recreation for the Carnival, Brilliant Choice of Waltz and easy; two books
Op. 16,
Introduction and Variations on "O cara memoria," with Vcello. Acct. ad
lib. Op. 17,
Brilliant Rondo on a favorite Menuet of C. Kreutzer (also has the title:
Fantaisie de A. Delaseurie sur un air suisse - recorded with this title on
the label Ars, and in score - see the Katalog des Deutschen Musikarchivs.)
- for six hands at one piano [1] Op. 18,
Brilliant Grande Polonaise with an accompaniment for a second Pianoforte,
or for a Quartett, both ad lib. Op. 19,
Variations of a Barcarole favorite Op. 20,
Introduction and Variations on a Marche favorite della Donna del Lago
Op. 21,
Introductions and Variations on a Cav.(cavalry?) Favorite "Sorte
secondami" Op. 22, Rondino
No. 1 on "Cara attendimi," with Quartett Accompaniments ad lib.
Op. 23,
Brilliant Rondo No. 2, for 4 hands, in G Op. 24, Presto
caratteristico, Duet in A minor Op. 25,
Brilliant Variations on "Ah come nancondere" for 4 hands Op. 26, Rondo
quasi Capriccio, in E♭ Op. 27, Fantasy
in B♭ Op. 28, Grand
Concerto in F, with Orchestral accompaniments Op. 29, Rondino
No. 2 on a Theme de l'Opera Corradino Op. 30, Rondino
No. 3 on a Theme de l'Opera Armida Op. 31, 3 Fugues
No. 1 Fugue in F
No. 2 Fugue in
E♭ minor No. 3 Fugue in C
Op. 32, New
Year's gifts, 24 Waltzes Op. 33, La
Ricordanza, Variazioni sopra un Tema di Rode Op. 34, Duet for
the Pianoforte for 4 hands, according to the first Trio of Mayseder
Op. 35, Waltz di
Bravura Op. 36,
Impromptus on Brilliant Variations on Cotillon de Ballet Arsena
Op. 37, Fantasy
followed by a Romance varied Op. 38, First
Grand Potpourri Concerto for two Pianoforte for 6 hands Op. 39, Rondino
No. 4 on a Theme by Fesca Op. 40,
Brilliant Variations on Ballet La Danseuse d'Arthere, for 4 hands
Op. 41, Rondino
No. 5 on a Theme by Beethoven Op. 42, Rondino
No. 6 on an original Theme Op. 43,
Brilliant Divertissement No. 2 on a Cav. "Aure felice," for 4 hands
Op. 44, Romance
of Beethoven arranged as a Brilliant Rondo, for 4 hands Op. 45, Charms
of Baden, Rondo Pastoral Op. 46,
Variations on a Bohemian Air Op. 47, Grand
Exercise in bravura in the form of Brilliant Rondo Op. 48, "Die
Schiffende," Song with Pianoforte, accompanied words by Holtz
Op. 49, Two
Brilliant Sonatinas No. 1 Sonatina
in C No. 2 Sonatina
in F Op. 50, Two
Brilliant Sonatinas for 4 hands No. 1 Sonatina
in G No. 2 Sonatina
in C Op. 51, Two
Brilliant Sonatinas, for Pianoforte and Violin No. 1 Sonatina
in B♭ No. 2 Sonatina
in G Op. 52,
Variations in an easy style on the Air from Die Fee aus Frankreich
Op. 53,
Rondoletto scherzando in C Op. 54,
Brilliant and Characteristic Overture in B minor, for 4 hands [1]
Op. 55, Charms
of Friendship, Theme of Beethoven Op. 56,
Introduction and Variations on the first Galoppe Op. 57, Grande
Sonata No. 3, in F minor (published by Peters) (1824) [1] Op. 58,
Legerrazza e Bravura, Brilliant Rondo, with Quartett accompaniment
Op. 59,
Introduction and Brilliant Variations on a Rondo and Marche favorite of
Roland Op. 60,
Einleitung: Variations and Rondo on C. M. von Weber's Hunting Chorus from
Euryanthe, with Orchestral Accompaniments (Wien : S.A. Steiner, 1824) [2]
Op. 61,
Preludes, Cadences, and a short Fantasia in a brilliant style
Op. 62, Caprice
and Variations on "An Alexis" by Himmel Op. 63,
Brilliant and easy Toccatine on Tarrantelle of the Ballet Die Fee und der
Ritter Op. 64, Fantasy
in the modern style on Potpourri Op. 65, Sonata
No. 4 in G (published by Kistner) Op. 66, Rondo
and Waltz in C Op. 67, Concert
Variations followed by a Hunting Rondo on the walk of the Ballet, Barbe
Bleu, for 4 hands Op. 68,
Passionate Rondo Op. 69,
Allegretto grazioso sopra un Tema de Ballo, Barbe Bleu Op. 70, Romance
for Pianoforte, in D Op. 71,
Brilliant Nocturne for "Das waren mir selige Tage," for 4 hands
Op. 72, 2 Nice
Rondos No. 1 Nice Rondo
in C No. 2 Nice Rondo
in G Op. 73,
Variations on "Gott erhalte Franz den Kaiser," with Quartett or Orchestral
accompaniments Op. 74,
Brilliant Rondoletto in E♭ Op. 75, 3 Grand
Allegros No. 1 Grand
Allegro in G No. 2 Grand
Allegro in B minor No. 3 Grand
Allegro in A♭ Op. 76, Sonata
No. 5 in E (published by Diabelli according to the list on page 2 of opus
730) Op. 77, "God
save the King," with Variations Op. 78, Concerto
for Fortepiano and Orchestra, in C Op. 79, 3 Grand
Marches, solo and duet No. 1 Grand
Marche in C No. 2 Grand
Marche in D No. 3 Grand
Marche in E♭ Op. 80,
Introduction and 7 Variations, Concerto for Pianoforte, and Flute (or
Violin) Op. 81,
Variations on Marche Anglais Op. 82, Grand
Exercise for Pianoforte, in F minor Op. 83, Romance
from W. Scott's "Fraulein vorn See" for a Voice with Pianoforte
accompaniment Op. 84, Grand
Potpourri No. 2 for 6 hands Op. 85, 3
Polonaises Op. 87,
Introduction et variations faciles pour le pianoforte à quatre mains sur
un walse de Mr. le Comte de Gallenberg (Leipzig : H.A. Probst, 1825) [2]
Op. 88, Septiême
rondino pour le piano-forte : sur un motif de l'opéra Elisa e Claudio de
Mercadante (Hannover, C. Bachmann, 1825) [2] Op. 90, Six
rondeaux mignons: pour le piano-forte à quatre mains, à l'usage des elèves
avancés (Hannover, C. Bachmann, 1826) [2] Op. 91,
Variations sur l’air allemand "Es ritten drei Reiter zum Thore hinaus,
Ade"[3] Op. 92, Toccata
ou exercice pour la pianoforte in C major modern republication
Op. 95, Notturno
brillant (in E♭ major, for piano, violin, viola, violoncello, flute,
clarinet, horn, bassoon, and double bass) (recorded on cpo. In NYPL)
Op. 101, Grand
march for four hands at one piano, composed for the Coronation of the
Empress Caroline of Austria. Published by J. Balls of London around 1826.
Op. 104, Trois
Sonatines faciles et brillantes pour le pianoforte seul ou avec accomp:
d'un violon et violoncelle ad libitum (from the searchable archive of the
Altenberg Trio site) Op. 105, Trio
no. 1 in E♭ for piano, violin, and horn (or cello) (CATNYP) (recorded on
Signum) Op. 111, Zwei
Romanzen für Klavier zu drei Händen (CATNYP) (part of a larger Decameron
Musicale? [1]) Op. 114, Valse
variée pour le piano-forte. Op. 116, Rondeau
brillant (for four hands, I believe.) Op. 118, Grande
polonaise brillante pour le piano-forte (with string quartet ad libitum,
according to Chez Richault edition at U. Michigan libraries.)
Op. 119, Sonate
militaire et brillante pour le pianoforte à 4 mains avec accompagnement de
violon et violoncelle ad libitum, composée à l’usage des élèves avancés.
(1826) ([2]) Op. 120, Sonate
sentimentale pour le pianoforte à quatre mains. (1826) ([3])
Op. 121, Sonate
pastorale. (Also for piano four-hands, 1826.) ([4]) Op. 124, Sonate
für das Pianoforte. (No. 6 in D minor.) (Zurich: Nägeli, 1840s) [2]
Op. 126, Grande
serenade concertante for clarinet, horn, violoncello, and piano.
Op. 127, Rondino
sur un thême favori de l'opera Le maçon d'Auber. For piano quartet.
(Vienna, Diabelli & Co.) [2] [4] Op. 129, Duo
concertant : in G-Dur, für Flöte oder Violoncello und Klavier (recording
and two new editions at NYPL) Op. 131,
Fantaisie élégante ou Potpourri brillant sur les thèmes favoris de lópéra:
La dame blanche : comp. pour le pianoforte [1] Op. 132,
Variations brillantes sur le Duo favori "Dépéchons, travaillons = Ohne
Rast, angefasst" de l'Opéra: Le Maçon <Der Maurer und der Schlosser>
[de Daniel François Esprit Auber] pour le Piano-Forte à 4 mains. [5]
Op. 136,
Sonatinas for piano four hands (Canadian National Library has no. 4)
Op. 137, Allegro
affetuoso for piano four hands (British Library) (pub. CF Peters around
1827.) Op. 139, Études
(Übungstücke, or 31 Easy Exercises) Op. 142,
Ouverture, orkest, nr.1, op.142. In C minor. (At the Hague.)
Op. 143, Seventh
Piano Sonata in E minor (published by Kistner of Leipzig. Reference
included in the list of piano sonatas incorporated in the score to piano
sonata no. 11, opus 730) Op. 144, Grande
fantaisie en forme de sonate, sonata no. 8 in E♭, for piano (Koninklijke
Bibliotheek in the Hague has a modern score of this, published 2004.)
Op. 146, Marcia
funèbre sulla morte di Luigi van Beethoven per il piano-forte solo. ([5])
Op. 148, First
piano quartet (Premier grand quatuor pour le piano-forte, violon, viola et
violoncelle, Peters of Leipzig, pub. 1827; at Frankfurt University
Library.) Op. 149,
Rondoletto concertant: in F-dur für Pianoforte, Flöte und Violoncello ad
lib. Op. 150, Trois
polonaises sentimentales (1970 repub. at Canadian National Library)
Op. 152, Grand
exercice (pub. by Ant. diabelli u.C. of Vienna) (LOC) Op. 153,
Concerto for piano four-hands and orchestra in C major (recording at
CATNYP on Koch-Schwann. Earlier Desto recording listed at LoC though no
longer in holdings.) Op. 155, Exsulta
filia Sion : Offertorium pastorale : für vierstimmigen gemischten Chor,
Streicher, 2 Oboen oder Klarinetten, 2 Trompeten, Pauken und Orgel, 2
Hörner ad lib. Op. 156,
Belohnung der fleissigen Jugend : drei Sonatinen für's Piano-Forte (at the
Hague). At least no. 2 is either for piano duet or is so arranged in its
current modern edition [6] Op. 158 Three
sonatines for four-hands. Op. 160
Introduction, variations and polacca after a theme from Bellini's Il
Pirata for piano and orchestra. (from the British Library's catalog.
Published by Diabelli in Vienna around 1831.) Op. 163, Six
sonatinas, piano (CATNYP) Op. 166, Trio
no. 2 in A for piano and strings (CATNYP) (pub. about 1830) (Allegro;
Scherzo: Molto Allegro - Trio (umoristico); Adagio sostenuto in D -
attacca Allo agitato in A minor - attacca - Allegretto piacevole in A
major. [7] Op. 173, Trio
no. 3 in E (Troisième Grand Trio) for piano and strings (Altenberg site)
Op. 175,
Fantaisie-Rondo d'après l'Adelaide de Beethoven : pour le piano forte
Op. 176, Great
sonata in F minor for piano duet Op. 177, Two
fugues for string quintet. [5] Op. 178, Grande
sonate in F minor for piano 4-hands [5] Op. 196,
Introduction, variations et rondo sur la cavatine (Or che son vicino a te)
de Nicolini, pour le piano-forte avec accompagnement de deux violons, alto
et violoncelle [4] Op. 197,
Variations brillantes pour un pianoforte à 6 manis concertantes (on a
theme from Bellini's opera Norma) [6]) Op. 200, A
systematic introduction to improvisation on the pianoforte. [4]
Op. 202,
Introduction, variations brillantes et rondeau de chasse [5]
Op. 204,
Divertissement de concert, piano, orchestra (or: Divertissement de
concert; ou, Adagio, variations et rondeau, pour le piano-forte avec
accompagnement d'orchestre) (Ponti's recording and five parts from about
1833 at NYPL) Op. 209,
Divertissement [1] Op. 210,
Concertino for piano (and strings, flute, 2 oboes or clarinets, 2
bassoons, 2 horns, 2 trumpets and drums (ad libitum).) (Published by
Haslinger of Vienna in the 1850s) Op. 211 Deux
Trios brillans pour pianoforte, violon et violoncelle (misspelling from
the published score. Diabelli, Vienna, about 1835.) (Altenberg trio site.
Also in Frankfurt University Library.) Op. 212 Six
Grand Potpourris for piano trio (Altenberg site) Op. 213 Andante
und rondo in C (LoC) for orchestra (?) published by Haslinger about 1833.
Op. 214 Piano
Concerto in A minor. Op. 220
Brilliant variations for the piano forte on the favorite tyrolienne in
Rossini's celebrated opera Guillaume Tell (published in London: Goulding
& D'almaine, [entre 1825 et 1832] Op. 222,
Impromptu brillant en [sic] non difficile pour le piano forte sur un
pastorale de l'opéra Guillaume Tell Op. 224 Deux
Quatuors Brilliants (for piano quartet) (Deux quatuore brillans pour
piano-forte, violon, alte et violoncelle) Op. 226,
Fantaisie in F minor for piano duet : Allegro con spiritoso; Andantino;
Scherzo; Presto; Allegro: Tempo I Op. 227, Rondeau
brillant op. 227 : für Klavier zu 6 Händen (Source: Katalog des Deutschen
Musikarchivs) Op. 229, L'Ecole
de la Vélocité (http://opac.library.usyd.edu.au. Probably a typo for opus
299, which does have this description.) Op. 229,
Divertissement militaire : für Klavier zu 6 Händen (Conflicting - one or
another source may have a typo in its source-material or simply in its
catalog. Source: Katalog des Deutschen Musikarchivs
http://dispatch.opac.d-nb.de) Op. 230, Quartet
for four pianos in C (Quatuor concertant für vier Piano-Forte über mehrere
beliebte Melodien. Diabelli, Vienna, 1830. Score at Frankfurt University
Library.) [4] (In one movement in several connected sections. [8])
Op. 231,
Rondeaux mignons faciles et brillants sur divers motifs favoris : pour le
piano Op. 233, Rondo
brillant Op. 247,
periodic collection of operatic fantasies (the first two on Bellini
operas, the third on Meyerbeer's Robert le Diable, reaching at least 54
numbers) Op. 248
Introduction et variations concertantes sur un air tirolienne for horn or
cello and piano [5] Op. 249
Variations sur la valse Charmante : de Jean Strauss, le duc de Reichstadt
varié pour le piano forte. Op. 254 Grand
rondeau brillant pour le pianoforte à 4 mains. Op. 256,
Fantasia concertante, für Klavier, Flöte und Violoncello in G major
(CATNYP, National Library of Canada) Op. 259, Grand
rondeau militaire et brillant. For piano four-hands. (H. Helmuth in Halle,
around 1833?) (British Library) Op. 261, 125
exercises. (Passagen-Übungen, piano. Pub. by Schirmer in 1896 and possibly
earlier.) Op. 262, Three
piano quartets. (Trois quatuors brillans et non difficiles pour le
pianoforte, violon, alto et violoncello. Hoffmeister of Leipzig, about
1832. Frankfurt University Library.) Op. 268, Piano
sonata no. 10 Grande sonate d'étude in B♭ (CATNYP, Canadian National
Library. Recorded in 1984 on Spectrum by Vivien Harvey Slater.)
Op. 280, Grandes
variations brillantes, sur une marche anglaise : pour le pianoforte avec
accompagnement d’orchestre ou de quatuor, (ad libitum.) (Pub. by Artaria
in Vienna around 1832.) (British Library has parts.) Op. 289, Piano
trio no. 4 in A minor (recorded on Signum. Published by Simrock in 1834,
in Frankfurt University Library.) Op. 295, Grand
Trio No. 4 Air from I Montechi e Capuletti with Variations for one piano,
6 hands. Op. 297,
Brilliant Variations on a Theme from Bellini's Norma for Piano 6 Hands
Op. 299, École
de velocité Op. 314, Grande
polonaise brillante précédés d’une introduction pour le pianoforte et
violon concertane. (Simrock, Bonn, 1840s.) (LOC) Op. 316, Dix
petits rondeaux doigtés pour le piano; ou, amusemens utiles et agréables
sur des motifs favoris, pour la jeunesse. (CATNYP. Published 1830s)
Op. 317,
Introduction, theme and variations for piano on an original theme (pub. by
Schuberth of Leipzig in the 1830s. In Frankfurt University Library.)
Op. 321, Rondo
brillant for four-hand piano. (in a library in Frankfurt.) Op. 323,
l'Allegresse, Rondo for the piano. (published by Schuberth of Leipzig
around 1850.) Op. 325, 3
fantasie eleganti : dall'Elisir d'amore di Donizetti (CATNYP)
Op. 326, Trois
thèmes favoris de l'opéra Zampa de Hérold : variés pour le piano forte
Op. 333: no. 2 -
Variations sur un motif de l'opera La somnambule de Bellini (CATNYP)
Op. 335, the
School of Legato and Staccato (Die Schule des Legato und Staccato - new
edition published by Peters in Leipzig available) Op. 337, Études
( Tägliche Studien ) (CATNYP) Op. 339, Drey
brillante Fantasien über die beliebtesten Motive aus Franz Schubert's
Werken : für Pianoforte und Physharmonica, oder 2 Pianoforte (or horn and
piano) (NYPL has on microform) Op. 344, Trois
rondino's non difficiles : sur des motifs favoris de l'opéra Lestocq de
Auber : pour le piano-forte Op. 345,
Fantasia for piano in D minor (National Library of Canada) (republished
1973) Op. 356,
Variations brillantes sur un thème italien favori : pour le piano-forte,
op. 356 = Vien quà Dorina bella = Komm, liebe holde Kleine (CLP)
Op. 365, School
of Virtuosos (Schule des Virtuosen) Op. 372, Six
galops en forme de rondeaux : sur des motifs favoris Op. 373, Ten
brilliant rondos founded on favorite Italian airs; composed and arr. for 2
performers on the piano forte. (CATNYP) Op. 374, Three
Rondos faciles et brillants : for flute or violin and piano (in C, D and G
major) [5] Op. 377, Fantasy
and Variations on Persiani's Ines de Castro. (from the couplings to a
recording of the first sonata made in 1975 by Hilde Somer.)
Op. 380,
Exercise of scales in thirds in all major & minor keys : for the
pianoforte. Op. 385,
Récréations de la jeunesse : douze rondeaux instructifs & agréables :
sur des thêmes modernes et favoris : pour le piano Op. 390, Three
sonatinas for violin and piano. (Published by Diabelli in Vienna in 1838.
In Frankfurt University Library. No. 3 in F at the King's Library at the
Hague.) Op. 399, Die
Schule der linken Hand auf dem Piano-Forte, oder: 10 grosse Uebungen
Op. 400, School
of Fugue-Playing ([7]) Op. 401,
Divertissement sur les motifs les plus favoris de l'opéra La juive de
Halévy. (The Hague) Op. 402, Le
petit artiste au salon musical : six morceaux faciles sur des thêmes
favoris : pour le piano Op. 409, Études
speciales: 50 grandi studi di perfezionamento per piano forte (pub. Milano
: Gio. Canti ; in the 1800s) Op. 410, Six
sonatines faciles et doigtées : pour le piano-forte Op. 419, Huit
rondinos agréables et brillans sur des motifs les plus favoris. (Bonn, N.
Simrock (1836?)) [2] Op. 420, Sixty
lessons : arranged in an easy and progressive manner for the piano forte :
to facilitate the progress of young scholars, with fingerings to each
lesson. (New York: Firth & Hall (1830s?)) [2] Op. 426, Rondeau
sentimental sur l'air favori: isle of beauty, fare thee well: pour le
pianoforte. [1] Op. 433, Études
préparatoires et progressives pour le Piano pour servir au développement
du mécanisme et de l'expression Des Pianistes Avancés. [1] Op. 438, Les
progrès du jeune pianiste; huit thêmes favoris variés, composés pour le
piano à l'usage des jeunes élèves avancés. (CATNYP) Op. 448, Caprice
et variations brillantes : sur le thême: Versàr potrà le lagrime de
l'opéra: Torquato Tasso de Donizetti (at the Hague) Op. 453, 110
easy and progressive exercises, for pianoforte. Op. 455,
National airs (CATNYP) Op. 460, Rondo
élégant sûr l'air favori: "Wo der Wiese grünes Band" de l'opéra: Des
Adlers Horst de Gläser : pour le pianoforte [1] Op. 463,
Theater-Bibliothek : für die Jugend Op. 484, Rondino
grazioso ou Impromptu brillant sur un thème italien favori : pour le
piano. (At the library at the Hague.) Op. 486, Rondino
brillant sur la valse Le bal des artistes de Strauss. (Paris,
Schonenberger. 1830s?) [2] Op. 490,
Introduction et variations brillantes : sur le galop favori de l'opéra
Lucia de Lammermoor de Donizetti (at the library at the Hague)
Op. 493,
Fantaisie brillante on themes from the opera The Marriage of Figaro
Op. 495, Etudes
progressives et brillantes. [9] Op. 496, Rondino
sur la walse favorite de La reine Victoria. [9] Op. 500,
Complete theoretical and practical piano forte school, from the first
rudiments...to the highest...state of cultivation... (CATNYP)
Op. 505, Six
rondeaux instructifs et agréables pianoforte composés et doigtés à l'usage
des élèves avançés et de la jeunesse [1] Op. 553, Sechs
tägliche Oktav-Uebungen in fortschreitender Schwierigkeit (Six Octave
Studies in Progressive Difficulty) für das Pianoforte (CATNYP)
Op. 565,
Velocity Studies (LoC) Op. 583, Douze
rondeaux amusants et instructifs pour le pianoforte à quatre mains, sur
des thèmes les plus favoris des opéras français et italiens. (Bronsvic, G.
M. Meyer, jr., 1840s.) (LoC) Op. 593, XII
rondino's faciles et doigtés pour le piano sur des motifs favoris de
Mozart et Rossini (Canadian National Library) Op. 599, Études,
(Erster Wiener Lehrmeister im Pianofortespiel ) (CATNYP) Op. 603,
Preludes and Fugues for Organ with Obligatory Pedal (1836) ([8])
Op. 606, 18
petits rondeaux & variations sur des mélodies populaires allemandes
[musique] Deutsche Voklsgesänge : pour le piano pour faciliter les progrès
des élèves avancés (Canadian National Library) Op. 607,
Préludes Et Fugues Pour L'orgue Avec Pédale Obligée en la mineur (1838)
([9]) (CLP) Op. 609. Les
deux sœurs, 18 rondinos for piano four-hands. [9] (Simrock edition at
Library of Congress has title 24 airs populaires en rondeaux composés et
doigtés par Ch. Czerny.) Op. 618. Douze
rondeaux amusans : pour le pianoforte à quatre mains : sur des thèmes
allemands et italiens. [9] Op. 625.
Productions de salon. (Fantasies for piano and violin on various themes by
Donizetti, composed with Leon Herz - his opp. 13-18.) Op. 627, 12
Preludes for Organ, Harmonium or Piano ([10]) Op. 636, 24
studii della piccola velocita per pianoforte... (German title from edition
at Library of Congress - Vorschule zur Fingerfertigkeit auf dem
Pianoforte.) Op. 638, Belle
Viennoise, rondoletto brillant su Anna, polka favorite de Strauss, pour
piano (pub. Philadelphia, A. Fiot, 196 Chestnut st., Importer of music
& musical instruments; New York, W. Dubois, 315 Broadway ca. 1850 )
Op. 684,
Aufmunterung zum Fleiss: 24 unterhaltende Übungstücke [für das Pianoforte]
/ Carl Czerny. Op. 686, Grande
sonate pour piano et violon (pub. 1842) (Breitkopf & Härtel no. 6676,
their publication may be of later date.) Op. 698, 20
Voluntaries (Preludes) for Organ with obligatory pedal ) Op. 699, Études,
(Kunst der Fingerfertigkeit ) (CATNYP) Op. 718, 24
Études, (Etüden für die linke Hand ) (CATNYP) Op. 726, Salve
Regina : offertorio per coro con accompagnamento di due violini, viole,
violoncello e basso, un flauto, due clarinetti, due fagotti e due corni ed
anche con accompagnamento di organo o pianoforte. Op. 730, Piano
Sonata no. 11 in D♭ , composée et dédié à Monsieur le Baron de Lannoy
Op. 735.
Terzen-Übung und Etude für die Linke Hand. [9] (Three etudes for the left
hand alone.) Op. 740, Études,
(Kunst der Fingerfertigkeit ) (The Art of Finger Dexterity) (CATNYP)
Op. 741. Les
trois amateurs: fantaisies brillantes: à six mains pour le piano.
Op. 751,
Studies, piano duet (CATNYP) Op. 758. Rondos
on Motives from Wagner Operas Op. 773. Le
début du jeune pianiste: 6 rondinos pour le pianoforte.) [9]
Op. 776.
Impromptu Fugue for Pianoforte. Op. 777, 24
Exercises for the Five Fingers. Op. 779,
L'infatigable : grand étude de vélocité pour le piano. (Recently
republished by Eulenburg in Zurich, Edition Eulenburg in New York, 1977.)
[5] Op. 780,
Symphony no. 1 in C minor "Grand Symphony" Op. 781,
Symphony no. 2 (of 6) in D major [9] Op. 788, Sonate
im Style des Domenico Scarlatti für das Pianoforte. Op. 794, Le
Plaisir Du Jeune Pianiste : après les premières Leçons ; Choix de
cent-soixante petites Récréations en formes d' Airs, Fantaisies,
Rondolettos, Transcriptions, Chansons sans Paroles, Danses, Scherzos,
Variations, etc. etc. Sur Les Mélodies Les Plus Favorites [1]
Op. 802,
Exercices pratiques des doigts. (a new edition published by Heugel of
Paris in 1923.) (LoC) Op. 803, Vierzig
leichte Tonstücke in fortschreitender Ordnung : für Anfänger im
Pianofortespiel ; als erstes Hülfsmittel zur Förderung des Notenlesens,
der Fingerfertigkeit und des Vortrags Op. 821, Études,
( Achttaktige Übungen ) (160 Eight-Measure Studies) (CATNYP)
Op. 822, Gradus
ad Parnassum; collection de grands exercises de tout genre dans le style
élégant et dans le style sévère, pour le piano. (CATNYP) Op. 823, "The
Little Pianist" Op. 824,
Praktische Taktschule = (Ecole pratique de la mesure) für Pianoforte zu 4
Händen Op. 825,
Amusement des jeunes amateurs, petites et brillantes recreations en forme
de rondos & variations pour piano composés par Charles Czerny, Op. 825
; (1) Elfin Waltz, (2) National Schottisch, (3) Montecchi E Capuletti, (4)
Puritani, Polacca, (5) Aurora Waltz, (6) Zapateado, (7) Russian Hymn, (8)
Magic Flute, (9) Wm. Tell, (10) Don Juan, (11) Petit Tambour, (12)
Carnaval De Venise Op. 834, Die
höhere Stufe der Virtuosität : neue Folge der Schule der Geläufigkeit für
das Pianoforte (Queens College, Miami University, Sydney University
Library in Australia, Harvard have this. The firm of Litolff in
Braunschweig published this in the 19th century.) Op. 841, 15
rondinos for solo piano on beloved themes. [1] Op. 848,
Nouveaux Exercises Journalier [4] Op. 849, 30
études (Studies of Mechanism) (LoC), introduction to op. 299
Op. 856, The
Pianist in the Classical Style (Preludes and Fugues) Probably without
opus Symphony in D
(1814) (Allegro molto quasi presto - Adagio quasi andante in F - Scherzo:
Molto presto in D minor - Allegro molto in D) [10] Symphony no. 5
in E♭ (1845) (published Leipzig : MVMC, 2001, c1997) (CATNYP)
Symphony no. 6
in G minor (according to Records International, his last symphony)
Nonet (1850)
(Recorded on MDG by the Consortium Classicum) Andante e
polacca for horn and piano. Referred to as op. posth. with a recording
(that of Barry Tuckwell and Daniel Blumenthal made for Etcetera in 1992).
Beatus vir : for
SATB voices, a cappella (published by New York : Lawson-Gould Music
Publishers ; Miami, Fla. : Warner Bros. Publications [distributor], 2001.)
There is,
according to a Canadian Broadcasting recording, a "Grand sonata" for
violin and piano written in 1807 in A major recorded which may or may not
be that which was published in 1842. Many string
quartets (over 20?) String quartet
in C minor edited by Bernhard Pauler from Sources/Manuscript and published
by Amadeus-Verlag, Winterthur in 2006 [5][11] String quartet
no. 20 in C major, 1849 in parts is at Library of Congress Also [11]
From the
Altenberg trio site - several unpublished piano trios.
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